This book provides a major study of the drawings, paintings and carvings of the crucifixion from tenth- and eleventh-century England, placing these works of art within the context of the tenth-century monastic revival. The drawings and paintings of the crucifixion are discussed in relation to the literature, theology, liturgy and devotional practices of the late Anglo-Saxon period.
Micheal O Siadhail considers modern Irish dialects against the background of their common grammar, providing a comprehensive overview for Celticists and general linguists with an..Подробнее
Explores five learned translations generally accepted as being the work of one of the key figures in British history, Alfred the Great. Its comprehensive analysis of the texts,..Описание
NSAIDs are used primarily to treat inflammation,and fever. Aspirin is used to inhibit the clotting of blood and prevent strokes and heart attacks in individuals at high risk...Описание
By incorporating and correcting the relevant material from Tourneux and adding new references gathered from unpublished nineteenth-century manuscript bibliographies and a broad..Подробнее
Malaria is a mosquito-borne infectious disease caused by a eukaryotic protist of the genus Plasmodium.It is widespread in tropical and subtropical regions, including parts of..Описание
The Romantic age was one of anger and its consequences: revolution and reaction, terror and war. Andrew M. Stauffer explores the changing place of anger in the literature and..Описание